Lots of pots…
This is a gallery of different pieces of pottery that interest me very much. There are some that are done by potters that I know myself. The examples range from more eastern styles, like Japanese pottery, Chinese pottery, and Western pottery from America and Europe that can include variations of the eastern styles.

Wood Fired Vase done by Chris Campbell (I know him). Very rustic looking as you can very well see, this technique of wood firing was adopted from the Japanese

This is another wood-fired piece done by Josh Copus (I know him), and this piece has a white glaze over it

On the complete opposite side of things, here is a crystalline piece done by Ernest Miller (I know him), and this is made from porcelain and is very refined and controlled in the firing technique, like I said completely different from wood fired wares

This is a jar done by Ryan Mckerley (I work for him), it was soda-fired (meaning that during the kiln firing, a baking soda-water mix was sprayed on the pieces) and it was also carved, this is sort of in between the wood fired wares and the Crystalline pieces

Small vase done by Simon Leach (who I... know), and it is very influenced by Japanese pottery (since his grandfather studied with the most famous Japanese potter), but the influence is shown in the bamboo looking white area that was most likely painted on with liquid clay or slip

This is an original piece of Japanese Raku, and it was most likely used in some sort of tea ceremonyAnd this is a piece of western raku, below I will explain what the difference between Traditional Japanese raku and Western raku is
A very long time ago, in Japan raku firing was invented and the pieces that were fired in this technique were used in Japanese tea ceremony. The traditional technique involved firing the piece to a relatively low temperature (resulting in a very porous piece), and when the pieces are still very hot, they’re removed from the kiln and either put in water to cool very quickly, or left out in the air to cool. Usually the glazes were made with lead, but soon when the royalty drinking tea out of these lead-based cups were getting sick, they decided to stop using lead based glazes. Now western raku is not much different except that when you pull it out of the kiln, you place the ware in a container full of combustible material (like paper, hay, etc…) and it catches on fire and then you close the container and the flame burns out all of the oxygen and the container fills up with smoke that turns the clay black. Also nowadays, we don’t drink or eat with raku pieces due to there porosity.
here’s a raku joke…
Really
Accurate
Kiln
Understanding
~ Joel






















